There's a new book out featuring one of my favorite historical women, Gerda Taro. I've written about her before, telling you about her incredible courage and how she believed photographs could change the world.
 
In the mid-1930s, Gerda Taro served as a midwife of sorts, helping birth the powerful force of modern photojournalism. ​The new book is historical fiction based on Gerda's life. One Last Shot is a novel written in verse by Author Kip Wilson. 

I was immediately drawn to Kip because she has also written a book based on the life of Sophie Scholl, another young woman I've written you about and admired since I was 12 years old. 
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​So it is with great pleasure that I welcome Author Kip Wilson to tell you about her new book and her journey writing it. (All the way to the fields of the Spanish Civil War) ​Take it away, Kip...

One of the things that fascinates me is the discovery of historical details and connections that add layers of meaning to our understanding, and to the stories we tell about the past.  
 
Recently, I learned of the threads that connect Audrey Hepburn and Anne Frank. The girls were born within one month of each other in 1929, Anne in Germany and Audrey in Belgium.  Audrey lived with her English-Austrian father in England for several years, but by the time the war broke out, both girls had moved to the Netherlands, where they ended up living just miles apart.

​After Nazi Germany invaded Holland in the spring of 1940, Jewish Anne Frank would become known to the world for the diary she wrote while hiding for her life. She would die in a Nazi death camp.
 
Audrey Hepburn's parents supported Adolf Hitler, her father an agent for the Nazi regime, her mother an admirer of the Fuhrer.
 
But Audrey joined the resistance and suffered near starvation under German occupation resulting in her often-admired slender figure, famous in the movies Roman Holiday and Breakfast at Tiffany's.
 
At the end of World War II and the Netherlands' Hunger Winter, Audrey, aged sixteen, stood five foot six, but weighed only 88-pounds.
 
She was one of the first to read Anne Frank's diary, but asked to play in a movie based on Diary of a Young Girl, Audrey declined the role, saying it was too painful.

Her son Luca Dotti told People Magazine his mother knew passages of Anne Frank's diary by heart. “My mother never accepted the simple fact that she got luckier than Anne. She possibly hated herself for that twist of fate.”
 
Audrey Hepburn's British-Austrian father and Dutch Baroness mother both held fascist sympathies in the 1930s.  Ella van Heemstra had a private meeting with Adolf Hitler, where, to the Baroness's bliss, the Nazi leader kissed her hand. 

Audrey's father left the family before the war,
and apparently in 1942, her mother had a change of heart about Hitler after the Nazis executed her sister's husband.
 
Otto van Limburg Stirum was arrested in retaliation for sabotage by the resistance movement. He and four others were driven to a forest, made to dig their own graves and then shot.
 
Before that, the realities of the war had come gradually to Audrey. 
 
“The first few months we didn’t know quite what had happened … I just went to school,” Hepburn said. “In the schools, the children learned their lessons in arithmetic with problems like this: ‘If 1,000 English bombers attack Berlin and 900 are shot down, how many will return to England?’" 

Audrey had started to learn ballet as a young girl in England, and as conditions became strained and dangerous, she turned back to dance to relieve the pressure of Nazi rule.
 
"When I would go to the station, there were cattle cars packed with Jewish families, with old people and children,” Hepburn once said. “We did not yet know that they were traveling to their deaths. People said they were going to the ‘countryside.’ It was very difficult to understand, for I was a child. All the nightmares of my life are mixed in with those images.”
 
A quiet, withdrawn child, Audey bloomed on the stage and soon began to perform at illegal events in hidden venues with the windows blacked out. These by-invitation-only zwarte avonden, black evenings, raised money for the Dutch Resistance.

“Guards were posted outside to let us know when Germans approached,” Hepburn would later say. “The best audiences I ever had made not a single sound at the end of my performance.”

Audrey also helped deliver tiny-sized copies of a resistance newspaper, Oranjekrant.
 “I stuffed them in my woolen socks in my wooden shoes, got on my bike and delivered them.”  As a teenager, she avoided the suspicions of police and was also able to carry messages and food to Allied pilots shot down over the Netherlands in 1944.
 
Though Audrey's mother had been known as a lipstick Nazi for being friendly with German soldiers early in the war, she sheltered an English pilot in their home. Luca Dotti wrote that it was a thrilling experience for Audrey. "It was risky, he was a stranger in uniform, a savior, and therefore a knight and hero. [But] if you were caught hiding an enemy, the whole family would be taken away.”
 
Dutch people in the countryside felt the deprivations of war acutely in the winter of 1944-45, later known as Hongerwinter, Hunger Winter. Families went without heat and electricity and food grew scarce. Audrey sometimes didn't eat for as long as three days, and sometimes subsisted on bread made from brown beans and potatoes.

According to Hepburn's son, “Twenty two thousand people died from hunger in Holland during the final months of World War II, my mother escaping death by a hairbreadth.”  
 
Audrey's town was finally liberated by Allied troops in spring 1945.

​Throughout her life, Audrey Hepburn spoke very little about the war years, some say out of fear that her parents' Nazi sympathies might harm her acting career.  
 
A good number of books have told the story of Audrey Hepburn's movie star career, jet-setting life and generosity as an ambassador for UNICEF.  But a new biography out this month focuses specifically on her life during World War II.
 
I wrote about new evidence concerning the arrest of Anne Frank's family here...
 
 
 
Sources:
Audrey at Home, Memories of Mother's Kitchen by Luca Dotti 
https://infosurhoy.com/cocoon/saii/xhtml/en_GB/news/how-audrey-hepburn-feared-her-moms-admiration-of-adolf-hitler-would-break-her-profession/  
https://forward.com/schmooze/422225/why-audrey-hepburn-refused-to-play-her-soul-sister-anne-frank/
https://people.com/celebrity/audrey-hepburns-personal-connection-to-anne-frank/

Standing Up Against Hate is out in the world!
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It's the story of how black women in the U.S. Army changed the course of WWII. It's an honor and a privilege to tell the stories of these courageous women. Here's a sample of feedback I've gotten on the book.
★Starred Review, School Library Connection:
"A nonfiction writer for youth audiences, Farrell settles in to explain with depth and precision the fight black women faced both in and out of the military as World War II surged. Focused specifically on black women in the Women’s Army Auxiliary Corps (WAAC), the book profiles several key figures, including Major Charity Adams who commanded the 6888th Central Postal Directory Battalion.

"In addition to the deft writing, images are presented every few pages that reveal a score of brave women who persevered despite suffering discrimination. The women had to proclaim their equality in the face of segregation in the mess hall and in dispatching the unit overseas.

"The text also details how some servicewomen were jailed for disobeying orders or even beaten by civilians while wearing their uniforms. Organized chronologically, the text is accessible for middle school and high school historians who are intrigued by institutional racism or women in the military for research. It profiles milestones in the 6888th’s preparation and deployment, providing a well-researched understanding of the time period for black women in the military.

"The book is a gem that profiles an underrepresented narrative in American history."
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Available at the links below or your favorite bookstore.